26 Sonata (see Recital 6) and the 'sonate quasi fantasie' pair of Op. 27 (see Recital 3), Beethoven appears to step back again with his next work in the medium, his D major Sonata, Op. 28.
Alfred Brendel introduces Schubert's Sonata in B flat major D960 for piano.
At best this conveys a determination to control the music rather than let it flow, and in the B major Sonata it also effaces the crucial contrast Schubert asks for in the development section (from ...
Some results have been hidden because they may be inaccessible to you
Show inaccessible results