Yahoo

‘The Brutalist’ Revives Interest in VistaVision, a Format with an Aesthetic All Its Own, at TCM Festival

VistaVision is back. Brady Corbet’s “The Brutalist” not only earned Lol Crawley the Best Cinematography Oscar but has sparked a renewed interest in the format — one that is now being further fanned by ...
AOL

How VistaVision Made an Unlikely Comeback at the TCM Film Festival, With First Screenings Since the 1950s to Bring Back the Long-Lost Format’s Imax-Style Projectors

The TCM Classic Film Festival isn’t just high on vintage films — occasionally, at least, the festival also finds a way to make room for long-gone methods of projection and exhibition. This is, after ...
NPR

Why a classic wide-screen movie format from the 1950s is making a comeback

VistaVision is a widescreen movie format from the 1950s that's enjoying a comeback. Some of today's top filmmakers hope the old tech gets new audiences into theaters. In fact, two films getting awards ...
The New York Times

‘One Battle After Another’ Is in VistaVision. Should You Care?

Filmmakers are giving a format that hasn’t been popular since the 1950s another try. By Brian Josephs The brand that’s often associated with the sort of high-quality pictures that people go to the ...
IndieWire

‘The Brutalist’ Revives Interest in VistaVision, a Format with an Aesthetic All Its Own, at TCM Festival

The TCM Classic Film Festival goes back to the '50s, screening two VistaVision classics with special horizontal projectors on April 26 at the TCL Chinese Theater. The timing is perfect, therefore, for ...