Artist, Thomas Lanigan-Schmidt: The ‘80s was the Reagan era, then AIDS come in and all my friends are dying. But I never want my art to just be locked in as a kind of isolated gay thing. The art is ...

In MoMA and UNIQLO’s Art for All video series, we explore an artist’s unique approach to capturing the world around them. In this episode, filmmaker John Wilson invites us into his world, where his ...

If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), ...

If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), ...

The Thomas Walther Collection—341 photographs by 148 artists—represents the innovative vision of the 1920s and ’30s, a transformative period of modern photography and the foundation of our photo-based ...

MoMA has so much on display, across so many galleries and floors, that it can be hard to know where to begin. Whether you’re visiting with kids, you only have an hour, or you’ve been before and are ...

The MoMA Alzheimer's Project was a special initiative in the Museum's Department of Education.The initiative took place from 2007 to 2014 and was generously funded by MetLife Foundation. During this ...

MARINA ABRAMOVIĆ: In The Artist is Present, I perform every day for three months. The performance is really about presence. You have to be in the here and now, 100 percent. GLENN LOWRY: Marina ...

Immerse yourself in ideas and see your world in new ways through art. In MoMA’s free Massive Open Online Courses (MOOCs) on Coursera, you will hear directly from artists and designers, look closely at ...

Narrator: Edward James, a British poet and patron of Surrealism, commissioned Magritte to make this portrait in 1937, titled Not to be Reproduced. Curator, Art Institute of Chicago, Stephanie ...

One morning in the summer of 1952, Matisse told his studio assistant and secretary Lydia Delectorskaya that “he wanted to see divers,” so they set out to a favorite pool in Cannes. Suffering under the ...