This Spring, Tate Modern will celebrate the provocative and boundary-pushing career of Leigh Bowery - one of the most ...

Contemporary artists have extended the vocabulary of the sublime by looking back to earlier traditions and by engaging with aspects of modern society. They have located the sublime in not only the ...

This is one of four reports produced by researchers in the project Reshaping the Collectible: When Artworks Live in the Museum. Each offers a perspective from one of four practices that are changing ...

Harun Farocki (1944-2014) was a pioneering filmmaker and theorist. He made more than 90 films ranging from experimental documentaries to large-scale installations. His work often explores themes of ...

In 1886 the philosopher Friedrich Nietzsche declared the sublime out of date. A number of artists of early and mid-twentieth century continued to engage with concepts of the sublime, though often in ...

Robert Bevan and Stanislawa de Karlowska settle at 14 Adamson Road in the Swiss Cottage area of London. Albert Rutherston contributes two pictures to the New English Art Club and meets Walter Sickert ...

This spring, Tate Modern will present a major survey exhibition of the work of Do Ho Suh, marking the first major solo ...

Join us for a book reading and draw along event to celebrate new Tate children's publication, Grandma’s Locs by Karen Arthur, illustrated by Camilla Ru. Grandma has beautiful locs. Whenever she comes ...

This series of large-scale publications represent ambitious, in-depth research into key areas of interest. Each publication throws new light onto questions of broad significance. Resulting from major ...

This project will examine art produced in relation to the HIV and AIDS epidemic in Britain from 1987 to 1996. The art historian Simon Watney argued that British governmental policies and their ...

‘I feel that I can best express myself, that I can best give outward form to certain inward feelings or ambitions by the manipulation of solid materials – wood, stone, or metal. The problems that ...